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Korg Gadget Review

I was intrigued with Korg Gadget as soon as I heard it was available for Nintendo Switch. A music creation app for the Switch? How good can that be? My curiosity overwhelmed me and I made the purchase. I’ve been using the app for over a year and I’d like to share what I think about the product now that I have a lot of experience with it.

What is Korg Gadget?

Korg Gadget is a music creation app perfect for making music and even dabbling in some sound design. It was originally an iOS app for iPhone and iPad and this version was optimized for Switch. You can make music using just your Switch and it has 12 “gadgets” or musical instruments you can use to make music/sound. They have synthesizers, drums, and lead instruments so there is plenty to work with and adjust. You can record music in 8 bar loops called a scene. You can add as many scenes as you like and as many instruments as you like so while the possibilities aren’t endless I never felt like my musical abilities were limited.

Perfect For Beginners

I really enjoyed using Korg Gadget. I think this app is perfect for beginners, the musically curious, and hobbyist. The possibilities in the app are bountiful and I like the fact that I could just open up the app and work. It’s not too hard to download VST’s into Daw’s and use them, but for beginners using computers and programs can be intimidating. I’ve had many friends express concern about using FL Studios, Reaper, Pro Tools, etc. because they have no formal training and wonder how hard it is to learn.

Korg Gadget erases those concerns. It’s the most intuitive music creation app I’ve come across and the amount it gives you at a $50 price tag is spectacular. If you’re on the fence about buying this don’t be. Buy it. There’s value here for you if you put in even the slightest effort.

Good for Professionals

As a professional musician and sound designer I still enjoy using Korg Gadget, but for different reasons. Korg Gadget forces constraints on me that helps me look at music and sound differently. I don’t have my handy VST’s, I’m not recording other sounds and importing them, I’m breaking out of my comfort zone. Using a program like Korg Gadget calms in a way. Now I don’t have to worry about what I’ll use and what I’m working on. It’s just a fun challenge and an ability to dive into my art form using a program I don’t use on a day to day basis. As a professional it’s very easy for the work to become a grind and for me to fall into the same long hard days of creating audio. With Korg Gadget, I still do similar work, but treat it as a fun way to cut loose and just use my creative muscles on a new place. For professionals I highly recommend doing this with Korg Gadget or finding a similar program and finding fun in their work this way.

Do I Recommend it?

Absolutely! A music creation app on your Switch?! How cool is that! It allows for all types of ways to “play”. You can use the app in handheld, table top, or on a big TV. It also has a co-op feature which I didn’t dabble in, but looked like a fun experience based on what I’ve seen of it online.

So yes if you’re interested I say go ahead a buy it, you won’t regret it. In a couple weeks I’ll be doing a tutorial article and video for beginners using Korg Gadget so if you want to see me break down how to make music with Korg Gadget check back in a couple weeks. Until then, take care and have fun making great art.

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20 Questions

So much has been so serious on my blog so I decided to keep things light today and just answer 20 random questions. Let’s begin.

Q1. Have You Ever Dined and Dashed At A Restaurant?

A1. No, never.

Q2. Would You Rather Have Endless Love or Endless Money?

A2. This one is a close one for me. I think I’ll go endless money and hope I can find enough love to make it by.

Q3. Have You Ever Been In A Car Accident – And It Was Your Fault?

A3. No. I’ve been in accidents as a passenger and a driver, but it was never my fault.

Q4. If You Could Star In A Movie, What Movie Would It Be?

A4. Not sure if this question wants a current movie/ a movie that’s already come out or something new. I’ll answer with something new. I’d like to Star in a Disney Movie. Ideally something from Pixar. Something where I’d be the main character and the main protagonist.

Q5. What Is Your Most Frequently Used Emoji?

A5. 😂

Q6. What Was The Last Thing You Stole Or Shoplifted?

A6. I worked retail back in the day therefore I’m not a fan of stealing. As a kid I’m sure I took a candy bar or something from a store, but I can’t recall honestly.

Q7. Are Platonic Relationships Or Romantic Relationships More Important To You?

A7. Both are very important and as I have aged both are close, but right now I’ll choose love and go with the romantic relationship being more important to me than platonic.

Q8. Even Though The World Has It’s Problems, Was Any Time Period Better Than This One?

A8. I feel this is always impossible to answer so I won’t try to. Every generation is so different and it has its challenges and advantages. So is this the best? Idk maybe? Were other times better? Idk maybe.

Q9. What Was Your Favorite Dinosaur As a Child?

A9. T- Rex hands down.

Q10. If You Had To Choose To Never Use Twitter, Instagram, Or YouTube Again, Which One Would You Let Go?

A10. Tough One! I like to use and consume YouTube content so I can’t let that go. Twitter and Instagram I also like, but I feel like Twitter is more for conversations and I love to communicate on there the most so I’d have to go with keeping Twitter and saying goodbye to Instagram.

Q11. Would You Rather Someone Always Tell The Truth Or Protect Your Feelings?

A11. Tell me the truth, tell me my flaws, help me get better. Stroking my ego helps no one.

Q12. Who Do You Miss More: Ziggy Stardust or Prince?

A12. Prince easily. Never really listened to Ziggy.

Q13. If You Had To Be Trapped On A Desert Island With One Friend, Who Would You Choose?

A13. Albert. My best friend since high school

Q14. If You Could Find Out How You Were Going To Die, Would You Want To Know?

A14. No way. That’s just way too dark for me to want to know.

Q15. If You Could Only Email Or Text People For The Rest Of Your Life, Which One Would You Choose?

A15. Text. I like email for business but I’d much rather text forever than email forever.

Q16. Would You Prefer To Work The Overnight Shift Or Work Alone For Eternity?

A16. I’d much rather work alone for eternity. Overnight shift is tough and having someone talking to me while I try to work from 11pm-7am sounds miserable. Give me working by myself during more humane hours.

Q17. Would You Rather Have a Beyoncé Song Or A Rihanna Song Stuck In Your Head For 24 Hours?

A17. Tough one. I like both, but I think I’ll go with Beyoncé.

Q18. If You Could Start College All Over Again What Would You Do Differently?

A18. If I could start college all over again I’m not sure if I’d even go. Yeah, that’s my answer. Id strongly consider skipping it altogether. I’m not one of those bitter graduates whose not using their degree. Even as a person who uses their degree every day, I wonder if it was really worth it now that I see what it really takes to succeed. It feels like the skills I need to actually be successful as an artist, a lot of that was cultivated by myself after school was done. So if most of what is needed to be successful is based on my self teaching what was the point of paying for college and spending those years there? I’m happy with how my life turned out, but I wonder if it would’ve been better if I skipped the college experience altogether.

Q19. Would You Rather Have Been In The Marching Band Or On The Debate Team in High School?

Marching band.

Q20. What’s One Secret You Are Still Keeping From Your Mom?

A20. We don’t talk right now so nothing really.

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Kansas 1935: Deep Dive

Today I’d like to take a deep dive into the making of my latest song “Kansas 1935”. I’m going to talk about how it was made, what is what made for, and how I feel it ultimately turned out.

Kansas 1935 was a song I wrote for the Charity EP Jam. The Charity EP Jam is a project where a handful of composers write music based on a theme and the proceeds go to the Charity Able Gamers.

It’s a long road

The theme this year was dust. At first I struggled with how to approach dust. What does dust sound like? What does dust feel like and how can I convey it? I started by looking up dust storms, wind sounds, and even watching some documentaries on the Dust Bowl. That’s when I decided to write the song about Kansas in 1935. I wanted to share what I felt listening to the stories from that dust bowl and try to capture that feeling via music.

Rough Start

I started with an entirely different song and thought it was a solid beginning. After a couple days and some feedback I realized that was not the case. At first I tried to salvage what I had and make something good out of it, but after a while, I realized it was best to throw it all away. Sometimes the best thing you can do is start over so I did. It’s tough to admit something you made isn’t good, but it wasn’t good. Better to realize that and try again then to just have a meh recording.

Take Two

So I went back to the drawing board. This time I went with the instrumentation of piano and guitar. I also went in thinking of having one idea that would turn into different ideas and eventually end on something completely different. This turned out quiet well and I was able to also get my friend to play guitar on it.

Putting Together The Pieces

So the way the song works is we have four parts. At first all four parts are played one after the other. There are two piano parts and two guitar parts. The song is essentially done with new ideas when the piano is done playing at the 1:10 mark. Then there is a dust storm that occurs until 1:35. Once it settles down the music is rearranged and returns in a different order. The new order is 3,1,2,4. This is done to represent how the dust storm rearranged and changed the music. I didn’t choose the order. I actually wrote these numbers representing the different sections down on a sheet of paper, placed them in a jar, and threw them on the floor. I picked them up off the floor in order of the pieces of paper closest to me.

This actually turned out quiet well! I like the new order and I like the fact that the new order is kind of subtle. Many people don’t notice that things don’t come back the way they began until the songs is nearly done. I like having this kind of inside joke or hidden secret in the song that’s available for anyone to notice if they pay close attention. And if they don’t, hopefully they just hear a good song.

Closing Thoughts

I really enjoyed the process of writing this piece. It was hard, required a lot of rewriting, and it really forced me to reflect on my work and brought out my best. I hope in the end I did good work and made great art. If you have the ability to do so I’d love it if you’d make a donation for this album. It would really mean a lot to me and the proceeds all go to Able Gamers.

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Five ways to help musicians during this pandemic

This global pandemic is hurting all of us in a myriad of ways. Today I want to talk about what you can do to help your favorite musicians get through this situation.

Some of the ways will be financial, but many will be free and take little time for you to do. So while money always helps I understand you might be hurting just as much as your favorite artist. So, by all means don’t feel bad if you can’t support people financially. There are plenty of ways you can show support without spending a dime. Some of them might even be more beneficial than spending money

Buy Their Stuff

The first one is also the most obvious. If you want to help musicians buy their stuff. Support their work. Go to your favorite artists’ website and buy their music, buy their merch, join their Patreon, etc. Different musicians have different revenue streams. So see what they have to offer and purchase what you feel comfortable paying for.

Retweet, Share, and Promote their work

This is a great, free way to help the musicians you love. By sharing their social media posts you are not only spreading the word, but endorsing the artist. You’re saying “I like this artist. I like what they do. And if you like me and my tastes, you should give this a listen.” That’s a lot more genuine and has potential for a bigger impact on the person who reads it than if the artist says it. When the artist shares their stream, album release, or latest video, it feels like an ad. When a friend shares it, it feels like a recommendation from a trusted source. So sharing your favorite artists latest work/social media post might be the most impactful thing you can do.

Follow Them!

This may seems small but it’s what all musicians want. We just want you to us, to know you’re out there, and you love what we do. Follow your favorite artist. Subscribe to the their YouTube channel, like their FB page, follow them on twitter. Wherever you are on the internet following your favorite musician there means the world to them. Sometimes it’s what they want even more than money. I know that’s the case for me. The biggest thing I want is for people to read these blogs and subscribe to my YouTube channel. For me that’s the best way you can show love and support. Being an artist is hard and just knowing people are out there following, watching, and supporting goes a long way in keeping us motivated, energized, and loved.

Watch Their Streams

With no concerts or events happening for the rest of the summer and perhaps the rest of the year, live streaming has seen a huge uptick amongst musicians. Watching these streams is a huge help. It encourages artists to keep doing some form of live performance, it gives them a bigger audience, and, if they set it up, you can donate money during their stream and help them continue performing for a living. So be on the lookout for your favorite musicians stream and watch when you can.

Donate to State and National Emergency Funds

Maybe you want to help music in general and don’t have a specific artist in mind. Maybe you want t to help the entire community at large be it local or national. State and National orgs are doing great work setting up funds for musicians during these difficult times. Obviously depending on where you live the orgs that help your community will vary, but here are a few I like.

Jazz Foundation has a Covid-19 Musicians’ Emergency Fund you can donate to. While New Music USA has a Solidarity Fund geared towards new/creative/improvised music freelancers. You may also want to think about your favorite music venues and record stores. Lots of them have GoFundMe campaigns or have online deals to encourage buying merchandise online. Think of how you like to consume music, how this pandemic has effected that, and what you can do to help,

Closing Thoughts

We are all in this together this is a terrible and traumatizing situation we are all in. Some of have lost loved ones, some of us have lost our jobs, and the rest of us have to continue forward and work in these extreme circumstances. Despite everything that’s happened in 2020 I remain an optimist. We will come out stronger and we will do this together. So support your favorite musicians however you can, support your local business however you can, and don’t feel guilty if you don’t have the funds to do so. That’s why I made sure to add so many ways to help that cost nothing. Do whatever you can and if you have any additional ideas on how we can help each other leave a comment below.

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Dance Again Deep Dive

Today I’d like to a take deep dive into the making of my latest single “Dance Again”. I want to talk about why I made it, how I made it, and what I’ve learned. Let’s begin.

My purpose for making this song was simple. I wanted to make a song to just make it. It’s been years since I have done this. As a professional musician I spend all my musician time working. I’m learning songs for gigs, I’m learning songs for recordings, I’m learning songs for a deeper understanding of a style or genre. While I obviously go for gigs, recordings, and genres I enjoy, you secede some freedom when you are a professional artist. Compromises however small, are made. I try to find things that are not only work, but fun, but even fun work is work.

So when I made Dance Again I went in with the mentality that this was just for fun, just for me. I’m making it to make something. Will I use it for pitching clients? Maybe if it fits, but I’m not trying to use it for that. And I made it with zero intention of doing so. The song came out the way it did because I liked it that way. No agenda, no deeper long term plan, just a fun song I liked.

Another thing you should know is that I use the app Korg Gadget on my Nintendo Switch exclusively to make the song. I’ve dabbled with this app for sometime now and I decided this was a great way to have some fun and challenge myself to go deeper into the app. I feel pretty comfortable with Korg Gadget and using it to make music I thought would be fun. The only sounds that are not native to the app are the voice samples I use. Everything else can be found using just Korg Gadget on the Switch.

Making Music is Hard!

I struggled a lot with the structure of this song. The drum pattern came to me pretty quickly and that was maintained throughout, but how to build themes and motifs around it was a struggle. The app refers to different parts as “scenes” so for a while I had extra scenes I was trying to fit in and certain scenes were longer before I was able to edit them down. For example, near the end I had the second to last breakdown happening for twice as long and I realize that was just way too much so I cut it in half.

This songs structure really came together when I let the words tell the story. Despite the few words, they actually dictate what’s happening on the record. The story goes a friend telling another friend that they should take their date dancing. After dancing the protagonist tells his date “you look really beautiful tonight” she replies “you don’t look so bad yourself mister” then he proceeds to offer her a ride home…

Impact of Sitcoms on My Song

One thing you should know about me is I love sitcoms. I mean I love sitcoms. I’ve watched How I Met Your Mother more times than I can count. Watched Friends at least 3-4 times since it’s aired on Netflix. And I’ve watched Cheers, Seinfeld, and Kings of Queens infinitely. Sitcoms have been there for me when I’m up, when I’m down, when I needed to laugh, and when I needed to cry. So why not use those voices to retell and reimagine the stories they’ve already told me?

Breaking Down The Words

So the first line I’ve used was from Friends where Rachel tells Joey “Oh dancing take her dancing!” In the scene she’s suggesting Joey take a date dancing and the same thing happens in my song. For the song it’s not the Friends characters just one person talking to another making that suggestion.

The second line is from How I Met Your Mother where Ted is telling Stella “You look really beautiful tonight”. Now in the show Ted is just saying that because he was caught staring at Stella. He didn’t really think she looked “beautiful tonight” he was just looking at her face to see what her reaction was to watching Star Wars for the first time. In my track the words were sincere.

Next line I used was from the same episode of How I Met Your Mother where Stella says “You don’t look so bad yourself mister…” in the episode it’s Stella coming on to Ted. In my song the same sentiment can be interpreted.

The final line I use is from Cheers where Sam Malone tells his worker Carla Tortelli he’s taking her home after their shift of work at the bar. In the episode this is a normal event. In my track it implies a pleasant end to a date.

CLOSING THOUGHTS

My focus on this track was just to have fun, make some electronic music using Korg Gadget, and to tell a story using words from my favorite sitcoms. I think I accomplished all of these things. I really love the breakdown that happens at the :54 second mark. In my opinion it’s the highlight of the song. Coming in at a close second is the story developing from 1:11-1:33. I really enjoyed making this and I hope you enjoy listening to it. If you have any questions, comments, or feedback feel free to comment below. Take care and be safe out there!

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Covid-19 Relief For Musicians

As everyone knows this pandemic has altered all of our lives as musicians and artists. Lots of our work has come to a complete stop, future gigs have been canceled, and there is no end to this pandemic in sight. As of right now my state of Illinois is on a Stay at Home order until April 30th, but we were on the same order until April 7th and that got pushed back so I’m skeptical things will reopen May 1st.

So with at least a few months of financial distress (and probably much more given most summer events are already cancelled) how can we as musicians keep ourselves financially afloat? It’s going to be difficult, but I’ve complied of list of actions and programs that can be useful.

Couple of things I want to address before we get into my list of ideas. One, I live in the United States so while most of the info is universal how effective/ relevant this will be for you may vary if you live in another country. Two, this is an ever changing situation and news is happening so fast that it’s possible some of these programs or solutions I have written down are no longer relevant whenever you read this. So whenever taking action do your due diligence to make sure these programs are still running/ available in your area.

MusiCares Covid-19 Relief Fund

MusiCares has set up a relief fund for music creators that have been impacted by Covid-19. You can apply for assistance on Grammy.com and I believe you can apply from anywhere. The application seems simple enough you just need your general info and on the final page you explain how you were impacted by Covid-19. Right now grants go up to $1,000 dollars so I 100% recommend applying if you’ve been hurt financially due to this pandemic.

Apply For Unemployment

This one is a bit difficult for most musicians. Most musicians work in places where they are not considered employees they are independent contractors and in the USA that means you haven’t put money into unemployment so it makes getting those benefits impossible. But maybe you’re a musician that works at a school and maybe you do get taxed in the traditional way. Or maybe you have a side job at a bar or restaurant and can get some unemployment benefits from those jobs. So while it may not be useful for all musicians everyone should be evaluating their ability to collect unemployment at this time. It seems the federal government is working on some solutions for gig economy workers on these issues, but right now that’s still being worked on so keep an eye out for that on the federal and state level.

Stimulus Package Money

In America a 2.2 trillion economic relief package was passed. In this package every individual will receive $1,200 if they make under $75,00 dollars. Couples will be receiving up to $2,400 and $500 per child. So chances are this money will be available to musicians and very helpful in this time of financial distress. As long as you have filed your taxes for either 2018 or 2019 and you make under $75,000 you will be receiving this money in the coming weeks. While this money is better than nothing it’s unlikely that this will solve all your money issues so hopefully this along with some other relief ideas will be enough to keep you afloat.

Consult Your Union or Local Music Org

Many unions and local music organizations have financial relief available for members or are setting up programs to help those who are in need. If you are not affiliated with a union or a music org take a moment and really think about your local community. Maybe you’ve graduated from a college and they have funds available for alumni? Perhaps you’re part of a band and have an LLC set up that can get loans at a low interest rate? Maybe you have a band that can do a go fund me or Indiegogo campaign to raise funds?

Other Ways to Eliminate Bills

When we think of bills we usually think of the money needed to offset these costs, but remember, bills and money are two separate things. This is a time to contact your different services and negotiate a plan or solution until this pandemic is over. I believe all federal loans are on emergency forbearance. Meaning you have no payments for months (Again some situations are different so double check your situation). I have a personal loan, but I talked to them about the situation and was able to get forbearance for a few months. Same goes for car loans and other bills. Most companies are willing to work with you, but you have to call them and talk to them. If you don’t most will keep charging you like life hasn’t changed at all. So make an assessment of your bills and make some calls and see if you can arrange a better situation than the one you currently have.

This is a difficult time for all of us. I hope that this article has given you some good ideas and made you feel better about the current situation we are in. If you have any questions, comments, or additional tips you think others could benefit from, please leave them below. Let’s help each other and rise up from this.

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My Career Over The Years

A person’s career path is never a straight line and today I’d like to go in-depth on how my career has changed over the years.

When I think about my career in music it’s hard to pinpoint the start. Like many people, music has been a part of my life since the beginning. So when did I really take it seriously as a profession? I’d say that started for me when I was 17-18 years old in 2005-06. During that time hip hop music was my obsession. I was listening to the music 24/7, annoying my friends always talking about my favorite albums and my favorite rappers, and I even begin writing my own raps believe it or not!

The Hip Hop Years

So I actually started to make music and I had my friends helping me by making beats for me to rap over. They were primarily rock musicians but they were spectacular at their craft. So even though they were out of their wheelhouse they helped me tremendously. After a couple years though I realized they just weren’t as serious about making hip hop music as I was. I understood they were primarily rock musicians, but I was taking this music seriously and I needed to be around people who took it seriously. So I did some soul searching and decided to be a producer myself. I’d go back to school, learn how to make beats, and then work with other artists while also working on my own projects on the side. I started googling things like “How to be a producer” and asking people for advice on getting started. One thing that came up was the benefits of playing an instrument. It’s not a requirement but many said knowing how to play the piano would help me understand theory and harmony and make it easier to use a MIDI controller. So I used my sister’s piano and started playing. Than everything changed.

The Piano Years

I fell in love with the instrument. I was instantly hooked and couldn’t get enough. Suddenly the piano became my life and I went from wanting to do hip hop to wanting to play the piano for a living. So from 2010- 2017 piano was my main focus and specifically jazz music became my main focus. I went to college for it, graduated, and began playing gigs and teaching. By 2015 I was officially a professional musician! I had made it.

The Game Audio Years (Present Day)

In 2019 I started to search for other ways I could contribute to the world with my skillset. After thinking about it and trying different things I decided to work in game audio. I wanted to create compositions and use sound design to enhance the experience players have in these worlds. So I began creating a demo reel, working with an indie dev on an RPG, and learning all I can about audio implementation. Working in game audio has been one of the more challenging and thrilling things I’ve done in my life. There are so many new things for me to learn, but it’s so fulfilling when I figure out how to make the sounds work the way I want them to. I’m looking forward to where this next step in my career takes me and I’m so glad I’ll be able to document it all here on my website.

Conclusion

Throughout the years my career has changed so much. I went from rapper, to producer, to jazz pianist, to composer and sound designer. One of the most valuable things I’ve learned is to be willing to adapt and change as I adapt and change. To not put myself in a box and force myself to become who I said I was but to just be who I am. Some may see these different roles and think I’ve been all over the place, but I was really just progressing through my career, expressing myself through music, and finding out where I felt the most comfortable and where I could make the biggest impact in the world. I’m glad to say that the biggest way for me to impact the world through sound is in the game audio space.

What’s your career looked like? Did you always know what your calling was? Did that ever change? Would love to hear your story and your journey in the comments below.

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Where I See Myself in Five Years.

Where do you see yourself in Five Years?

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Where do you see yourself in five years? This is a question people ask at job interviews all the time. So today I decided to unpack the question and answer it with 5 predictions on where I’ll be in five years. These are in no particular order and they are a mix of my professional ambitions along with some personal goals. 

 

Prediction 1. I will be living in LA.

LA

I don’t know when my love affair with Los Angeles began but I know I never want it to end. I’ve visited many times in the past four years and plan on moving there in the fall of 2022 at the latest. While I love the environment and culture LA has, I mainly want to go for work. As a composer and sound designer, living in LA puts me in a great position to work with game developers, studios, and musicians. The energy the city has along with my tremendous work ethic will put me in a position to reach my fullest potential. I love Chicago and always will, but I feel that living in LA will give me the opportunity to live my ideal life and it aligns with my mission to impact the world through sound. 

 

Prediction 2. Working as a Sound Designer at a AAA Studio. 

Epic-Games

This has been a goal of mine for a while. I’d love to work at a AAA studio in LA. I want to work with a team at a scale larger than what I am currently capable of doing alone. The collaboration, scope, and impact I can make through audio in this environment is why I wake up every morning. Can’t wait to make this goal a reality. 

 

Prediction 3. Be done with work by 6PM.

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As a freelancer the work can never stop. It’s awesome being your own boss, but are you a good boss to yourself? I’ll be honest, I’m not the best boss. Overwork myself, promises of downtime never occur unless we are on the verge of a breakdown, and there are poor benefits. By 2025 I will be done with work at 6PM. I want to spend my evenings relaxing and spending quality time with friends and family. Obviously, if I get that AAA position this should be an easier goal to achieve, but even if I’m still freelancing and doing it all myself I want to commit to being off by 6PM. If I need to get things done I can wake up early. I need to spend my evenings with the people that matter. 

 

Prediction 4. Working on other Music and Non-Music based projects. 

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I love making things. It’s why I’m in audio. Whether it’s making an SFX, composing a song, or writing an article. I love having an idea, exploring its potential, and sharing. It with the world. Since my main goal is to work as a Sound Designer at a AAA studio, making music making will ultimately be taking a backseat. I’d like to keep exploring my music creation as a side project and keep making other non-music-based projects. Whether that’s writing about sports, writing about games, or even making videos, I plan to still be making different projects that are not work-based and are just fun things I want to share with the world. 

 

Prediction 5.  I will be married.

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Obviously, this is a personal one and not 100% under my control (but really what is?) but by 2025 I want to be married and ideally have a child. I’ve been dating my girlfriend for 11 years so it’s time to make this official. I plan on asking her to marry me this year (it’s coming up 😬)  so this one should be the easiest one to accomplish, but as anyone who has been in a serious relationship can tell you, it can also be the hardest. We’ve been through a lot, but until death can be a mighty long time. I’m committed to getting married and making it work and I’m excited about starting this next chapter of our lives. 

So there it is. In five years I see myself living in LA as a sound designer at a AAA studio, done with work by 6PM, married, and working on cool music and non-music based projects. Where do you see yourself in five years? Comment below!

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Why I DO What I DO

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Since as early as I can remember I had a stronger relationship with music than my friends. I obsessed over collecting albums and having conversations over what music was good and why. Eventually, this lead me down a path from being in constant conversations about music to being a music creator myself. This journey has led me to all parts of the world and has challenged me throughout the way on what music means to me and what I can do with music. How can I reach people? What is my purpose? What can my impact be? Having these feelings and conversations have led me to game audio.

 

Music and games are two of my biggest passions and marrying them together to try and enhance both experiences for not only myself, but the general population made so much sense to me. I have fond memories of different game audio experiences. From the sound of changing my weapons in Jak 2 to the humming of the melodies in Child of Light, to my friends playing Fallout 3 so much that I memorized all the jazz tunes from the game. The thought of giving other people that same feeling, enhancing the immersion they have in a game, and giving back to the music and gaming communities that have given me so much to me made so much sense to me. 

 

I do what I do because when I looked at my life and what I wanted it to be this is what I wanted to do. I want to make as much great music, as much great audio, as possible. I wanted to positively impact the world through sound the way so many others have done for me. And that’s why I do what I do.

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Nine For Nine Retrospective

I’m so proud of myself for having completed my Nine For Nine Series. From April till the end of the year I released a new track on my Soundcloud every month. My primary goal was simply to get the project done. Simply completing the project would be considered a success to me. Since I did just that I’m thrilled with all I accomplished with this project and my musicianship as a whole. Still, some things definitely could’ve gone better. So today I want to break down this project. The highs the lows, the reaction, etc. Let’s jump right into it.

 

I Bit Off More Than I Could Chew

I loved doing this project, but I doubt I will do anything similar to this for a while. Doing a new track every single month was pretty brutal. You are always in recording mode. Either learning the tunes, composing, arranging, recording, editing, promoting, or brainstorming for what’s next. I talked to and read work from others who had similar projects and everyone said to plan ahead and have a couple tracks done if not all the tracks done. I did neither of these things. I had a rough estimation of what I was going to do, I had most of the months planned in advance, but I didn’t have all the details sorted out who was gonna play on the tune; what the instrumentation would be , etc. If I ever do this in the future it will be a shorted project with everything figured out months in advance so I don’t feel like I’m rushing through everything all the time.

Keep It Simple Stupid (Or at least plan for the complex)

I had so many ideas for all this music, but I had to cut out so much because I was on a time crunch and didn’t have everything done. A good example of this is “Stranger Things Theme” I did a good job learning the tune and doing the necessary research on the music, but I had all theses great ideas I had to kill. I wanted to expand the theme, maybe write a string section in or do some more electronics, and maybe do a brass arrangement.  Time got the best of me I kept on changing the original idea and in the end I had to just do a short piano rendition to fulfill the goal. Again Keep It Simple, if you want to do more you better have the idea further along or allot the time you need to actually get it done. Next time I’ll plan ahead or kill that idea earlier so I don’t get frustrated.

 

What I thought Would Happen

Many people have told me that predicting how the general population will react to your work is a difficult things to do and a nearly impossible skill to master. Whether you sell sneakers, bake cookies, or write songs figuring out what you make and how much people will like it is crucial to our success. I’m a new artists with no fan base or data so it was hard to predict what type of audience I would  grow throughout the year and which songs they would like the most. Here were my predictions of most views before all the music was released.

  1. Pyramid Song
  2. And I Love Her
  3. Stranger Things Theme
  4. Legend of Zelda Overworld Theme
  5. Mellon Collie and the Infinite Sadness
  6. Christmas Song
  7. Of Dreams To Come
  8. Maiden Voyage
  9. Liberating Hoop Villain

 

Here’s What Happened

  1. Pyramid Song
  2. Legend of Zelda Overwold Theme
  3. Liberating Hoop Villain
  4. Of Dreams To Come
  5. Maiden Voyage
  6. And I love Her
  7. Stranger Things Theme
  8. Christmas Song
  9. Mellon Collie and the Infinite Sadness

As you can see there are significant differences between these two lists. The only thing I got right was “Pyramid Song”. Legend of Zelda was only one spot away, but everything else is far off.  Course people are still listening to this project so perhaps this list will change over time, but as of now it’s quite clear I don’t know what the masses will gravitate towards. Here’s hoping I get better at figuring that out and that more and more people will listen to my music either way.

 

Recording Issues

Albert Amey (guitarist and producer here in Chicago) and I have a ton of stories from recording this project. From great recording sessions to musicians failing us, having to rework our schedules, and other audio malfunctioning fun. Overall I’m so happy Albert Amey was with me every step of the way. Without him this project would have been much harder to finish, and I have no doubt the audio quality would not be as good.  Some have commented that they thought the audio quality could improve,  I’m happy with it. These are essentially home recordings. Also, a lot of times I had to record people remotely or I’d bring Albert just a bunch of different files and he had to mummify it into existence. The time will come when  I will shell out thousands of dollars and do a recording in a big studio, but for now I’m satisfied with what we did.. I’m so grateful Albert puts up with my incompetence.

Closing Thoughts

This project was my baby: my first full fledged project where I had 100% control over everything. People who know me in my personal life understand that I like things my way. Once I have a superior, a boss, or I just disagree with the direction, I become negative and check out. My independence and freedom means more to me than others. This project is truly me. Jazz, rock, and hip hop. This is some of my best work. I love the reworking of strings I did on “Pyramid Song” , the solo and electronic take I had on “Of Dreams To Come” , and the original composition “Liberating Hoop Villain” which ended up as third highest viewed song.

So please listen to my Nine For Nine project. Tell me what you think, what you liked, and even what you didn’t like in the comment section below.  I loved making  this project, and I am just as pumped with the next couple projects I will be announcing in the upcoming weeks. So stay tuned and thank you for your support.